There’s a complaint making the rounds from CEOs and hiring managers: they can’t find copywriters who’ve read the classics: the Hopkins, the Ogilvys, the Colliers. Everybody’s chasing the latest hook formula off their feed and nobody’s cracked open a book older than they are.
I understand the frustration, but that complaint stops one step short of the real problem: reading the classics isn’t the flex. Plenty of people have read Robert Collier, far fewer can point at the work they shipped this week and show you where his thinking actually lives inside it.
For the last six years I’ve been writing email copy that monetizes lists for course creators and the framework I use is a hybrid. Modern customer-centric marketing on the surface, but underneath it’s built on the people who figured this out long before any of us had a sending platform and an analytics dashboard.
And no one shaped it more than Collier, at least on my end (we’ll get to Eugene Schwartz in an upcoming post) so, if you’re serious about turning an email list into revenue with copy that’s genuinely valuable to the person reading it, here’s the one Collier idea I put to work in every email I write.
The concept: enter the conversation already taking place in the reader’s mind
That’s Collier’s line, written back in 1931, and it’s still the most useful sentence in this entire industry and here’s how I use it:
Your reader is not sitting in a blank room waiting for your email to arrive, but they are already mid-thought, worried about something, hoping for something, half-decided on something, irritated by something. There is a conversation running in their head before you ever show up in the inbox.
Collier’s instruction was simple: don’t start your own conversation. Step into theirs.
Most of the sales copy I see fails at exactly this point.
It opens with the sender’s agenda: “Doors are open.” “Introducing our new program.” and the reader, who was busy thinking about something else entirely, feels the gear-grind of being interrupted. You’ve kicked off a conversation they were never part of.
Collier’s move runs the other way. You meet the thought they’re already having, in the words they’d already use to describe it, and your email lands like the next line in a discussion they started themselves.
How I implement it
The principle is the easy part to understand. Earning the right to use it is where the work is.
I don’t guess what’s in the reader’s head, I go and find out.
Before I write a promo, I’m reading the raw customer language: support tickets, onboarding survey answers, the comments under the client’s posts, the one-star and five-star reviews, the questions people drop in the DMs.
That’s where the real conversation lives, in the reader’s own phrasing, not the tidied-up version a brand wishes they’d use. Collier mined the mail that came back to him and I mine everything a course creator’s audience leaves behind.
Then I write the first line to land inside that conversation.
In 9 out of 10 situations it’s not “Our fingerstyle guitar course is open for enrollment.” and instead it’s closer to: “You’ve watched the tutorial four times and your fingers still won’t cooperate.”
The first announces a product, a few people will be interested in that conversation, but most won’t. So that’s why the other picks up a thought the reader was already halfway through having. Essentially, they’re both leading towards the same offer but using a completely different door into it.
So when I write copy or review for someone else, here’s the test I run on every opening line is the oldest one in marketing:
Why should I care about this?
If the first sentence doesn’t connect to something the reader already feels, it gets cut, however clever it is.
And I keep the promise sized to something they’ll actually believe.
Collier understood desire better than almost anyone, but desire oversold curdles into disbelief, so I aim for the smallest real change the reader can picture themselves making, the minimum viable transformation, rather than promising their whole life rearranged by Friday.
Where I part ways with him, on purpose
Collier was a man of his era, and his era was perfectly comfortable using fear of loss as a lever. A good chunk of his most famous copy leaned on anxiety: Act now or the thing slips away from you forever. I don’t resonate with this type of copy, so apart from the situations when this is actually true (very rare), I take his diagnosis of the reader and I leave that particular prescription on the shelf.
My copywriting framework is value-first.
The email earns the sale by being useful before it asks for anything, whether that’s a shift in perspective, a piece of the puzzle the reader didn’t have or a problem named more clearly than they could name it for themselves. Urgency still shows up, but it has to be real and it has to be earned.
I’m not manufacturing panic to move a course.
So, my 2 cents…
You can read every classic on the shelf and still write email nobody remembers. What separates the people who’ve read Collier from the people who’ve absorbed him is whether you can stand over the work and show where he’s living in it.
His instruction is ninety years old and it still hasn’t been improved on: stop starting conversations and start joining them. So go read your audience’s actual words this week, and write your next opening line to land in the middle of a thought they’re already having, then watch what it does to the way they read you.
